Reenactment of a battle between Mexican and American soldiers. A sequence shows the deserted streets of Mexico City at night and culminates with the sight of a hill of dead, naked Indigenous people, on which stands the Spanish conquistador Hernán Cortés. Hospital birth is graphically depicted. A person's feet are nailed to the floor.
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The plot highlights the importance of family as well as the value of identity and being true to yourself.
Diverse Representations
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Shot in Mexico and shows different realities, both the luxury lives of the upper class and the drama of those less fortunate who cross the desert on foot to reach the United States.
Silverio is a character full of contradictions, but he always wants the best for his family.
Parents Need to Know
Parents need to know that Bardo, False Chronicle of a Handful of Truths is Alejandro Gonzalez Inarritu's first film to be shot in Mexico since Amores Perros in 2000. It follows a famous Mexican documentary filmmaker based in Los Angeles (Daniel Giménez Cacho) who travels to Mexico City before receiving an important journalism award. The plot mixes reality and fantasy, with characters from the main character's past and present coinciding to show a dreamlike portrait of Mexico's history. Expect to see reenactments of battles and a scene that shows Spanish conquistador Hernán Cortés standing on a hill of dead, naked Indigenous people. A person's feet are nailed to the floor. Two characters have sex (bare breasts seen), and there's a somewhat graphic scene in which a newborn baby decides to return to its mother's belly. Characters drink, smoke, and swear frequently ("f--k," "goddamn," etc.). To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
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What's the Story?
In BARDO, documentary filmmaker Silverio Gama (Daniel Giménez Cacho) returns to Mexico City shortly before receiving an important journalism award in the United States. In Mexico, he encounters surreal situations (the re-creation of a battle, a visit to a TV studio, a crowded party in a dance hall, a conversation with Hernán Cortés) that mix reality and fantasy and confront Silverio with the relationship he has with his family, his identity, and his vision of Mexico.
Ambitious, over-the-top, pretentious, autobiographical: All of this can be said of Alejandro Gonzalez Inarritu's first film to be directed entirely in Mexico since Amores Perros in 2020. Bardo, False Chronicle of a Handful of Truths is reminiscent of Federico Fellini's 8 1/2 or Bob Fosse's All That Jazz, mixing reality and fantasy with surreal scenes as Silverio experiences absurd, fantastic, and extreme situations.
It's easy to see Silverio as Gonzalez Inarritu's alter ego, as the filmmaker justifies his work and his actions to those who criticize his films for being pretentious and hypocritical. Bardo is an excuse for the director to delve into his past and his relationship with Mexico and with success, family traumas, and the search for a personal voice. Although some sequences are insufferable, we must recognize the director's ambition, the mastery of setting a scene, and the excellence of the actors, cinematographer Darius Khondji, and production designer Eugenio Caballero.
Talk to Your Kids About ...
Families can talk about the fact that the word "bardo" has several meanings: "poet," "mud," and "limbo" (in Buddhism). Which one do you think applies to this film?
Can a story mix reality and fantasy? Does that make the story difficult to understand? Which scenes do you think actually happened to Silverio, and which ones do you think came from his imagination?
The film criticizes Mexico's relationship with the United States and with the Spanish conquest by Hernán Cortés. What are the negative and positive aspects of Mexico's relationship with both countries?
MPAA explanation:
language throughout, strong sexual content and graphic nudity
Last updated:
April 16, 2023
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