A flight attendant leaves an airplane washroom looking unkempt and fastening the buttons of her blouse; a man leaves the same washroom soon after (shenanigans are implied). A woman propositions a married man (he turns her down). Some semi-crass discussion of sex. A husband and wife embrace tenderly and reminisce about the first time they got together. One entry on the list is "to kiss the most beautiful woman in the room."
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Numerous raves for the kopi luwak, Indonesian coffee known to be the most expensive on earth. Signage for Cole's hospital, Reed Hill. A glimpse of a NYC taxi logo. One character loves to watch Jeopardy.
Violence & Scariness
none
At one point, Cole and Chambers scream at each other on a sidewalk. A married couple also argues (not much screaming, but there's tension).
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For all of the bluster of one of the characters, the movie's overall message is heartwarming and affirming: A list filled with exotic adventures is fun, but the biggest task to check off before your time is up is staring life (or death) in the face and embracing its daily joys.
Parents Need to Know
Parents need to know that although this movie is a comedy, it deals with cancer and death: The first half of the movie shows how the illness ravages the body and wrecks the spirit (or at least attempts to). Patients are shown getting their heads shaved, doubled over toilets retching, and wandering hospital corridors tethered to IVs. Through it all, there's a fair amount of strong language (including "f--k," though it's sparing). Ultimately, though, the film is about overcoming challenges and staring death in the face without blinking -- an uplifting note on which to end. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
I couldn't help liking this movie. Sure, it had its issues. It wasn't as funny as it could have been (although I laughed very hard at times, especially in the sky-diving scene). It's kind of morbid since it's all about facing the certainty of death and going on laughing, but it's still a wonderfully fresh movie about discovering the joy in life. Freeman plays religious characters so well, I was shocked to discover that he is apathetic towards religion in real life and has been divorced three times. Nicholson is hysterically funny here, but still manages to pull of the dramatic scenes with ease. There are only two problems with this movie from a content perspective. The first is bad language. I guess you can't get two old guys together without a lot foul language being spat out. Expect to hear the f-word once and many other profanities and vulgarities as well. Not constant, but still more than I'm comfortable with. The second issue is not as a big a deal if you talk it through with your kids. At one point, Freeman is approached by a woman (discretely) with an offer of sex. He is married, so he turns her down. Your youngest kids might not notice this scene, so I would go ahead and leave them in the dark, but you might want to use it as a teaching opportunity for your older kids.
SUMMARY: A very good movie dealing with death but more importantly with living a good life. Language is not appropriate. Be warned.
Edward Cole (Jack Nicholson at his preening best) and Carter Chambers (Morgan Freeman as his usual noble self) are exact opposites: One is a hedonistic multi-millionaire playboy, the other is a loyal, long-married mechanic. But when they're both stricken with cancer, they wind up roommates in one of Cole's hospitals and become fast friends. When their prognoses turn grim, they make a pact to complete a "bucket list" -- an inventory of things they need to do before they die -- and set out to complete it. Naturally, their plan isn't as simple as it sounds. Both have unfinished business back home, and soon their journeys are interrupted by real-life demands. They also have metaphorical baggage to unpack, the biggest of which is facing death knowing that they've made peace with their lives.
Viewers looking for innovative storytelling and surprises won't find much of either in Rob Reiner's THE BUCKET LIST. It's straightforward and predictable, with nary a divergence from the standard Hollywood playbook. But that doesn't mean it's not engaging -- and for that, it has its two leads to thank. You have to give the producers props for trying, but it's all a bit too treacly. Save for one unexpected twist, within the first half hour, you can pretty much tell which loose ends will be tied up before the credits roll. (No offense to Freeman, but can we do away with his now-ubiquitous, gravitas-filled voiceover? The man has other talents.) Cole will be revealed to have a soul much more complicated than the movie first hints; Chambers will become a man much more conflicted than his serene exterior suggests. And you can bet that each helps the other fully realize his potential.
Still, there's a certain delight in seeing Nicholson and Freeman interact; it's a heavyweight duet in which Reiner clearly takes delight. He gives them time to playfully spar and do what each does best (Nicholson is playful, Freeman is grave). Maybe the next movie they'll be in -- and they ought to team up again -- will have a more insightful, original script. Though, truth be told, obvious as The Bucket List may be, you may find yourself hard pressed not to be moved -- if only a little -- in the end.
Talk to Your Kids About ...
Families can talk about why Hollywood is enamored with movies about terminal illness (Terms of Endearment, Mask, My Life Without Me)? Why do you think that subject is so compelling to producers -- and audiences? How does this film find humor in the subject without going too far? What about it is realistic? And unrealistic? Do you know anyone who's battled cancer? What was that like?
MPAA explanation:
language, including a sexual reference.
Last updated:
May 14, 2024
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By S. Jhoanna Robledo
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