Wonder Woman 1984

Frequent peril and risk. Many people are injured, sometimes bloodily, but characters don't kill or die as often as in previous DC movies. Thieves brandish and fire guns in a mall heist; one grabs a child and holds her hostage, dangling her over a railing. A woman bloodily beats a man who had previously attempted to assault her. Mass worldwide chaos leads to mob-like protests and unrest. Diana and Steve fight armed security guards with heavy, war-level artillery. Diana is visibly injured. Nuclear weapons are wished for, and nuclear war breaks out between the United States and the USSR. A young child looks lost and disoriented and calls for his father; other scenes also show children in danger. A character's physical appearance deteriorates disturbingly, with blood dripping out of ears, nose, etc. The Amazons compete in a physically demanding, dangerous, Olympics-style game. A flashback reveals how Asteria wore special armor to keep male attackers away from the Amazons, sacrificing herself to keep her compatriots safe. Another flashback shows a child witnessing domestic abuse. Men often make unsolicited and unwanted comments to women. A man's body is used for sex without his consent (he's not occupying the body at the time).

Several passionate kisses/making out and a scene implying that a couple has had sex (they're in bed together; nothing graphic seen). Sight-gag joke with Steve eating crackers in bed. Diana wears a tight, short, form-hugging/revealing armored costume, as do the rest of the Amazon warriors. Another female character wears increasingly tight, body conscious outfits as well.

Infrequent strong or insult language includes one use of "s--t," "bitch," and "hell," as well as sexist catcalling and self-deprecating comments like "loser," "weak," "nothing," "stupid."

Drinking at meals and at receptions -- mostly beer, wine, or champagne.

As Wonder Woman, Diana is an important example of a strong female superhero. Although, her likability relies on notions of traditional beauty and femininity. Barbara's transformation from a mousy geologist into a glamorous and powerful villain also plays into these standards. Most main characters are White, but another villain, Max, is Latino (Chilean American Pedro Pascal) and is given some depth in his backstory. Characters of color appear in minor roles, and some reinforce negative racial and cultural stereotypes: The only recurring Black character is unhoused, and the ruler of a fictional Middle Eastern nation uses his oil wealth to deal in nuclear arms.